Short film review | Love Bite

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A finance bro finds his date isn’t quite what she seems in Horace Oliver’s Love Bite, which screened at HollyShorts London Film Festival. 


The premise of Horace Oliver’s horror short Love Bite is pretty straightforward. Your usual, kind of slimy finance guy Sebastian (Matthew James Ovens) is preying on women at a bar, setting his gaze on Mina (Alba Ramadani), a beautiful and mysterious woman having a drink by herself. He naturally invites Mina to his flat and goes as far as drugging her drink to get her to sleep with him. 

This is where things take a slightly spoiler-y turn, which we wouldn’t dare to reveal. That being said, Love Bite does share some DNA with Joy Wilkinson’s 7 Keys, which is set for release in 2025, and Strange Darling, one of this year’s most exciting genre releases. All three films attempt to turn a familiar situation upside down in really exciting ways while never becoming preachy or dull.  

Oliver’s short suffers from what I assume are budget issues. The bar at the beginning feels completely empty and fully lit, creating a strange sense that it is indeed a set rather than a real life location where these two characters would meet. Later on, a prosthetic is applied to a character that is more distracting than believable, making it near impossible to focus on anything but that for the rest of the film.

Read more: Short film review | Bill

There’s still a lot of fun to be had with Love Bite. It’s the kind of narrative that this writer will never get tired of and both Ovens and Ramadani deliver fine, if exaggerated performances. Oliver also demonstrates an excellent sense of storytelling and perhaps with more resources, Love Bite would have had more… well, bite. 

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