Fight Club has arrived in China, 23 years after its release ā but it arrives with a different ending.
This article contains spoilers for the international and Chinese endings of Fight Club.
Never mind the first rule of Fight Club; itās surely the first rule of any film is that you donāt change the ending in a way that completely dismisses the spirit, tone and messaging of the original story. Nevertheless, thatās exactly whatās happened in China, where David Fincherās grungy, late-nineties ode to anti-corporate anarchy has been retooled for the Chinese market, stripping it of its anti-establishment ending and finishing instead in a sanitised āhappy endingā, according to
The Guardian.
Of course, films being recut, sometimes even given new endings, is not particularly unusual for the Chinese market, but
Fight Club being reconfigured by a large corporation, simply to make a few more dollars, likely has director, David Fincher smiling bitterly about the irony, give his filmās pronounced critique of capitalism.
Instead of the filmās original ending, where Edward Nortonās character shoots Tyler ā his imaginary other self ā then watches as the skyscrapers of capitalist America are reduced to rubble by Project Mayhemās bomb plot, the moments following Tylerās ādeathā are instead succeeded by a page of text, which confirms that the police foil the bomb plot.
Equally egregiously, Tyler (we presume they mean Edward Nortonās character, rather than Brad Pittās) is taken to a ālunatic asylumā, treated and released thirteen years later, presumably cured of all of his dissatisfaction with modern life.
Fight Club is of course renowned as a film which challenged capitalism, and was reported to be the reason why then president of Fox, Bill Mechanic, was fired. The owner of Fox at the time, Rupert Murdoch, was said to more favour films like
Titanic over
Fight Club. Canāt think why.
For a film so full of ironies like that one, the recutting of the ending in China simply reinforces the messaging that Fincher and his collaborators were trying to squeeze through the Fox system all those years ago. China-based film fans who already know the ending, through piracy and bootlegs, are likely unhappy. And it does seem galling that a film which is essentially a satire, often mocking its own anti-capitalist messaging, has been censured so heavily, drawing attention once more to the heavy-handed nature of state intervention in the Chinese film market.
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